DESIGN PROCESS
Since this was my first time working with glass, I approached the process experimentally, eager to explore the material’s possibilities firsthand. I collaborated with my good friend, Jacob Østergaard, a skilled glassblower, to develop the lamp’s unique expression.
We chose to work with an old glass-making technique where molten glass is spun into a thin, circular sheet, a method historically used to create the first window glass. This technique gave the glass a beautifully organic texture with subtle imperfections, allowing it to bend and distort the surrounding light in a natural, poetic way.
At the same time, I focused on how the lamp would integrate into Tivoli’s existing lighting. Rather than competing with the park’s iconic illumination, I designed the lamp to actively interact with it, playing with reflections and optical illusions to create an engaging daytime experience as well. While many of Tivoli’s current lamps primarily come alive at night, this one offers an equally dynamic presence in daylight, capturing and transforming natural sunlight into shimmering, shifting patterns.